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This
composite image is made from the actual sample image
from each of the wide converters. Lens distortion was
corrected for each sample image so they would line up
when overlaid. This allows you to see the angle of view
for each converter lens all at once to compare. Composite
by Charles Andrasko.
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A80/A95
native wide
(38mm focal length)
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Canon
WC-DC52 .7X
(26.6mm focal length)
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Canon
WC-DC52 .7X at full tele zoom
(80mm focal length)
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Raynox
720 .72X
(27.4 focal length)
Click
here to see Raynox 720
.72X
software corrected image.
(This lens has been discontinued)
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Raynox
720 .72X at full tele zoom
(82mm focal length) |
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Tiffen
43mm .75X
(28.5 focal length)
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Tiffen
43mm .75X at full tele zoom
(86mm focal length) |
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Raynox
6600 .66X
(25mm focal length)
Click here
to see Raynox 6600 .66X with/without the spacer.
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Raynox
6600 .66X at full tele zoom
(75mm focal length)
The
Raynox 6600 is the most rectilinear of the group - that
is, there is almost no barrel distortion and it depicts
straight lines as straight lines. This makes it ideal
for architecture, or any situation where distortion is
undesireable. |
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Tiffen
37mm .56X
(focal length 21.3)
Click here
to see Tiffen 37mm .56X
with/without the spacer.
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Tiffen
37mm .56X at full tele zoom
(63.8mm focal length)
The
Tiffen 37mm .56x is easily the widest of the group. Surprisingly,
it shows little barrel distortion, (and what little there
is can easily be corrected with software) This makes it
ideal for shooting interiors (as well as exteriors). Realtors
might find this lens the most useful of the group.
*For
best results with this lens, use apertures between f5
and f8. |
